Caravaggio's proclivity toward violence and his inability to get on with his colleagues may also have played a part and these character flaws have loomed large in the biographical interpretation of his paintings. In the Cerasi Chapel in Santa Maria del Popolo (1600–1601), the work of both was intentionally juxtaposed. Verdi, Archivio di Stato, Rome, 2011.) Following the clamorous success of his first public commission for three canvases in San Luigi dei Francesi (1599–1600), Caravaggio's work came to be seen in contrast to the idealist style promoted by Annibale Carracci and his pupils (see 1971.155), and the resulting dialectical relationship certainly encouraged the development of the opposing tendencies in their art. 30–31 and Caravaggio a Roma: una vita dal vero, exh. Sickel, "Gli esordi di Caravaggio a Roma," Römische Jahrbuch der Bibliotheca Hertziana 39, pp. 1592, as used to be thought, or 1595, as has recently been proposed, or perhaps made two trips to the city-remains uncertain, but the year he joined Del Monte’s household can now be put in 1597. Like many young artists arriving in Rome, he worked for other artists and then for a dealer before being "discovered" by Cardinal Francesco Maria del Monte (1549–1626), who gave him quarters in his palace and promoted his career. Although his career spans little more than fifteen years, the transformation from his earliest works, in which a realist impulse is tempered by delicacy of description, and his late, dark style-at once dramatic in effect and suggestive of the tragic side of life-is immense. His practice of painting directly from posed models violated the idealizing premise of Renaissance theory and promoted a new relationship between painting and viewer by breaking down the conventions that maintained painting as a plausible fiction rather than an extension of everyday experience. The Artist: Trained in Milan and active in Rome (1592/95–1606), Naples (1606–7 1609–10), Malta (1607–8), and Sicily (1608–9), Caravaggio was one of the most revolutionary figures of European art.
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