So of course I had to watch it for the 31 horror movies for 2015! I had heard rumors of its existence and was surprised to see it on Netflix. In a bloody, nightmarish, young-romantic way, it's kind of touching.Oh, the many aspects of the movie. Still, when Dawn's first full-frontal victim looks down to find he's not even half the man he used to be, he seems genuinely hurt - by the rejection as much as the castration. Because they're such unprincipled horndogs who won't take "no" for an answer, the movie suggests they deserve what they get. The joke isn't so much that Dawn sports a gynecological snapper-trap, but that guys will stoop so low to take advantage of her. Most of the time his balance is just right. The camp sensibility, however, is fully self-aware, not unlike certain Todd Haynes' movies: the Barbie-doll biopic "Superstar: The Karen Carpenter Story," or the black-and-white venereal horror/sci-fi segment of "Poison." Writer-director Lichtenstein, best known for his central part in Robert Altman's 1983 film of David Rabe's "Streamers," straddles one line between earnestness and facetiousness and another between horror and satire, shifting and pivoting from one to the other. While " Carrie" is the obvious influence (with genital transmogrification instead of telekinesis, and the other sex doing the bulk of the bleeding), "Teeth" could be seen as a "Reefer Madness" for the New Chastity Generation. He wants what he knows he can't have: Dawn. Now Brad has (under-)developed into a tattooed monkey-boy who spends all of his time in his thrash-metal cave of a bedroom with his Rottweiler, a bong and some skinny girl who is not his girlfriend. There was that time with her stepbrother Brad in the inflatable pool when they were just kids, when he cut his finger while touching her under the water, but she repressed that memory a long time ago. unusual in the vicinity of her privates, something that confused and frightened her, but she tried not to think about it. She's always kind of known she had something. (Weixler plays it with a perfect blend of perky Reese Witherspoon cluelessness and wide-eyed Heather Graham innocence.) She's only just beginning to discover the new, and not fully manageable, powers of her own developing body, and at times she feels like an alien in her own skin. Like Sissy Spacek's Carrie, Dawn is going through that awkward adolescent stage. But nobody ever said it was going to be easy. Believing that one's virginity is "the most precious gift of all," she encourages her fellow Promise Ring members to remain chaste until marriage. Yet she is committed to maintaining her purity. It's called sexuality, and it permeates her everyday life: from pop culture (parental-advisory lyrics, R and PG-13-rated movies) to anatomical textbook illustrations in health class to the hormones and pheromones that hang heavily in the atmosphere, like the fetid steam in a gymnasium locker room.Įverywhere she turns, Dawn the dental damsel-in-distress is surrounded by temptation. The 1950s sci-fi premise would be that Dawn is the unfortunate victim of radioactivity, but there's something else in the air (and maybe the water) here. Years later, Kim has developed cancer and teenage Dawn - well, the title of the movie refers to a biological abnormality she has developed down there. Bill (Lenny von Dohlen) and his son Brad ( John Hensley) are about to join Kim ( Vivienne Benesch) and her daughter Dawn ( Jess Weixler) to form a single-household zygote. The camera tilts down to the lawn of a suburban home where nuclear family fusion is about to occur. Writer-director Mitchell Lichtenstein's teen horror-(of)-sex comedy begins with a big visual pun about a different portion of the feminine anatomy: An impressive pair of atomic power-plant silos protrude from the horizon like. Whether you view it as a primordial image from the collective unconscious or a practical warning against promiscuity, vagina dentata makes an indubitably memorable impression - and an ideal premise for a tongue-in-cheek thriller about uncontrollable urges.
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